Publications

Articles

2026

“De machine et de mémoire : remédiation sémiotique et auctorialité distribuée dans la cocréation visuelle par requête” [Of Machine and Memory: Semiotic Remediation and Distributed Authorship in Prompt-Based Visual Co-creation] Proceedings of the conference, Sorbonne / CY Cergy Paris Université

In Preparation

submitted

Reversed Interpretive Cooperation: Statistical Attractors, Premature Closure and Semiotic Silence — Semiotica (De Gruyter)

in progress

The Second Inquiry as a Rancièrian Protocol — Postdigital Science and Education (Springer).

Conference Papers

2026

“De machine et de mémoire: semiotic remediation and distributed authorship in prompt-based visual co-creation” International conference Auctorialités augmentées en régime numérique [Augmented Authorship in the Digital Regime], CY Cergy Paris Université and Université Sorbonne-Nouvelle, Paris, 2–3 June 2026. Panel “Algorithmic Authorship: Delegation, Remediation and Figures of the Visible” (with Bertrand Gervais, UQAM).

2026

“The eco-visible is already here — eco-vision remains to be invented” 93rd Acfas Congress, conference Emerging Research in Communication, UQTR, 15 May 2026.

2016

Deleuze Studies International Conference Università degli Studi di Roma Tre, Italy.

2015

International Bilingual Conference The Cinema of Jim Jarmusch Université d’Artois, Arras (Pas-de-Calais), France. Proceedings published in Les variations Jarmusch, Lettres et civilisations étrangères, Université d’Artois.

2014

Co-organiser and speaker — “Une folie du voir dans l’extrême contemporain” [A Madness of Seeing in the Extreme Contemporary] NT2 Laboratory and FIGURA, UQAM.

Doctoral Thesis

2022

L’accessibilité esthétique des mondes possibles au cinéma [The Aesthetic Accessibility of Possible Worlds in Cinema] PhD thesis in semiotics, UQAM. Supervisors: Sylvano Santini and Bertrand Gervais.